This project is a new stepping stone in the artistic career of someone who was born from a rave-orientated British underground DIY scene.

The lack of a dancefloor focus here provides a good opportunity for him to explore the more experimental and abstracted side of his musical tastebuds.

This project has taken his work into more of a hardware-based workflow and each of his two albums have separately explored the outer limits of sampling (the self-titled Force Majeure, on French label Concrete Collage) and synthesis (in the follow up, The Permanence of Decay). His new album contains a unique hardware instrument and performative workflow for each piece that was created with ambisonic spatialisation for immersive playback and live reworkings.

Performances under this alias have taken place at the Chaos Theory and Crux festivals in London, as well as a special immersive audio performances at the Sound/Image Festival in London (at University of Greenwich) and CEM in Cambridge.